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Portra 400 overexposed


Portra 400 overexposed

But the film I use most, Fujicolor 200, suits me fine and costs a lot less. Shooting film on a Contax 645, a Bronica ETRS made in 1976 and a vintage Yashica 653 made in 1958. In Travel, Photo Essay Tags Fuji X-E2, mastin lab, Kodak Portra 400, tr Comment Shadow detail comparison of an underexposed negative (left) and overexposed negative (right). In fact, film photographs often err on the side of one to two stops of overexposure to ensure detail in the shadows without blowing their highlights or losing any detail. Overexposing film gives you a lot work and options than underexposing it. 400 seems to work really well in English light and has about 2 stops latency for underexposure. The PORTRA 400 is the world's finest grain high-speed color negative film. thank you! i’ve also frequently used the Fuji Superia X-TRA 400 in the past, but ultimately i do prefer the portra because the former had very green undertones which i didn’t like. Dark or black images might appear green. We rated Kodak Portra 800 at box speed. . Compared to the Portra 400, colour saturation is slightly higher. So when I shoot, I schedule them for the weekend and at least a couple weeks out in the event the weather is awesome for a motorcycle ride, which takes preference, and I need to cancel a shoot. com. If anyone has worked on a movie set  Dec 17, 2010 KODAK Portra 400 - Miami South Beach FL - Pushed to 3200 great thing about this film is that you don't need to overexpose as much like you  Jan 4, 2015 Yep, it's a matter of overexposing or underexposing a certain film, but In the external locations, a Portra 400 could be the best choice ever,  Apr 4, 2011 Like the Portra 400, the new 160 has the perfect blend of vibrant color The 400h was overexposed 2 stops and still couldn't hold the shadow  See Recommended films, or just get some ISO 400 print film for people and . Since my workflow is pretty quick and easy, I made a short video using a photo from my last Portra video. For those that don't know, I have a full-time job that keeps me busy 40+ hours a week Monday through Friday, while photography is just a hobby to release stress. Reply(1) Inaccurate KODAK PROFESSIONAL PORTRA 800 Film Revised 2-16 KODAK PROFESSIONAL PORTRA 800 Film KODAK Publication No. . Agfa Vista 400 has more reddish skin tone, super sensitive to red colour and saturated colour, sharpness is lower than Portra 400. I’ve heard that it should overexposed by one stop, or half stop and some said to shoot it a box speed, which I ended doing. The price has almost doubled over the past year. It renders skin tones soft and natural looking while the grain is fine. Ideal for bringing cloudy or dull settings to life, AU1 is the successor to AU5. We just wanted to stick to one film stock for this blog to make it less confusing. Captured on Lomography 400 with a Canon Elan7 – 50mm f/1. New Kodak Professional Portra 160 Film Review by EveNSteve February 21, 2011 When Kodak released the Portra 400 a few months ago many of us speculated that a new Portra 160 would be just around the corner… and guess what? Kodak Portra 400 is made to be rated between 200 and 1600 ISO without special processing. 0 0. Feb 5, 2018 Kodak's Portra 400 film is praised for its versatility, but exactly how well does it handle underexposure and overexposure? How far can you  May 16, 2019 “Luskentyre Morning” - Portra 400 645, 35mm lens, 1/2 second at f16 This film loves overexposure and seems to know no limits in this regard. If negatives are consistently too dense (overexposed), use a higher guide number; if they are too thin (underexposed), use a lower number. All photos were taken with my Mamiya 7II with the 80mm lens on Kodak Portra 400. It's incredibly rewarding if you use it properly, and quite close to a disaster if you don't. Recommended film stock to try – Portra 400 & Fuji Pro400H View sample of pushed Portra 400; Pushing slide film. Discussion in 'Film Discussion and Q & A' started by Josh66, Mar 17, 2009. PORTRA 400 Film is the ideal choice for portrait and fashion photography, as well as for nature, travel and outdoor photography, where the action is fast or the lighting can't be controlled. of a film to attempt to compensate for the film being either under or over exposed. Using a Mamiya C220 TLR camera, with a 80mm f/2. Louis Arch double exposure was created by metering for the mid tones for each shot and flipping the camera to create this abstract look. They were developed and scanned by Richard Photo Labs, and I made some contrast and exposure adjustments to all of the images in Lightroom. FP2 excels in images of Kodak Portra 400. E-6 slide film is the least common film to push but can be pushed with good results. It also turned off flash by default, which was could not be done with the Natura Black otherwise. Yes, this yellow cast can be removed in scanning, but Portra 400 looks best at ISO 320. Get the best deal for 35mm/135 Print Camera Color Film from the largest online selection at eBay. It turns yellow and I didn't like the saturation. We can feel the amateur target all around the package with the stockphoto family pictures and the uses for the film, however, I love the vintage feeling of… Using Portra 400, I wanted to retain a bit more saturation for this landscape scene so I average metered the foreground at 320 and shot just like that. Mike likes to rate his Fuji 400 at 200, which is how he metered. Portra 400 +1 | rated at 200 ISO the first roll was overexposed in camera via metering, and the second Photo of Ritz Camera and Image - "Un-cropped, un-edited Portra 400 35mm scan. PORTRA 400 Film is the ideal choice for I’d read online that Portra 800 is able to be overexposed a lot, increasing saturation but maintaining great skin tones, Pushing Portra 400 to 1600. With Fuji you would get a beautiful pastel tone, with Portra you would get a warm, more saturated look. I’m curious to see if that holds true. Pretty cool shots taken by NCPS customer, John Li during the annual Detroit Indian Village Historic Tour, in the historic Indian Village in downtown Detroit. vol. I used to shoot Porta a lot when it was still reasonable to buy in Japan. I'm just excited to try it. This film also handles skin tones, as well as natural landscapes, beautifully and at a 400 ISO it’s super handy in changing lighting conditions. It handles highlights unlike anything else and usually looks good a bit overexposed. what to expect from basic scans. At 800 ASA the film offers medium contrast, with a good resolution of shades and highlights. In general, Portra film stocks have a more yellow based skin tone and warmer greens than Fuji. And I don’t think I’m alone in this…. Leica MP + Zeiss C Sonnar T* 1. I brought my Fuji XT-1 with the XF 50-200mm for my digital shots, and the Pentax 67 using primarily the 105mm f2. Enjoy! KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, and 800 Films • E-4040 4 Fluorescent and High-Intensity Discharge Lamps Use the color-compensating filters and exposure adjustments in the tables below as starting points to expose PORTRA Films under fluorescent or high-intensity discharge lamps. The Kodak Portra 400 VC 120 is a true professional`s choice. My last couple rolls were the old Portra 160VC, and looking at all my shots, it seems like they are all a bit overexposed and low-contrast (maybe its my camera's meter??). i haven’t actually experiment much with different films because there aren’t many types easily available to me in hong kong. Feb 24, 2012 Colour negative films usually render much better results when over exposed by around a stop, so a film like Portra 400 shot at 200 will give  I understand that Portra 160 is a little less saturated than Portra 400, Portra increases in saturation through overexposure - Ektar would be a  4 lens at f/8 on Kodak Portra 160 film and converted to b&w: a #0 filter on it as well as overexposing it and shortening the I shot a roll of Tri-X 400 as well as one   Feb 1, 2019 Photography is the art of capturing light to create pictures. I've been using Portra 400 since, umm, Portra 400NC, and scanning mostly on an Epson 700. Rating a film is as simple as putting something different than the box speed in the exposure meter. Wedding Photography - Contax 645. The new Kodak Portra 400 and 160 are both excellent films, and I use them for about 90% of my client work. Flickr is almost certainly the best online photo management and sharing application in the world. KODAK PROFESSIONAL T400 CN Film is a 400-speed, multi-purpose, black-and-white film designed for processing in Process C-41 with color negative films. I think the Portra films can be shot at their nominal ISO. Given that there has been much talk about the latitude of the new Portra range, I thought I’d push my luck and use the Portra 160 in an environment where I’d normally be using a 400 speed film. The resulting photos had a slightly dreamy, slightly overexposed but saturated look that I enjoyed. it is very sharp, it has wonderful saturation, and a ton of local contrast snap, very good skin tones. I recruited my amazing, beautiful friend to be my model one sunny day at noon. Matt Haines said. When underexposed, however, the film quickly becomes muted and subtle. negative film shooters purposely overexposed 2-3 stops to obtain the look they want and still retain (As an parenthesis: I used to hack the DX code on 400 speed film to activate NP mode in my Natura Black. Kodak Portra 800 120 Film Single. This new Portra 400 is more or less motion picture film. Be the first to review “Kodak Professional Ektar 100 Color Negative Film (35mm Roll Film, 36 Exposures)” Cancel reply You must be logged in to post a review. Kodak Portra and FPP’s C41 1 Liter Press Kit. March 22, 2016 March 22, 2016 but when i got them processed they all came out a bit overexposed. For example, in the digital Portra 400 is especially impressive as not only does it allow lots of overexposure, it does it without introducing too much in the way of undesirable changes in colours. It came out at a time when most of the features we now take for granted didn’t even exist, and it was one of the first cameras to include an automatic shooting mode, awkwardly called “Program” back in the day. I'm currently working on my first roll of the new Portra 400. It’s also highly versatile and can be used indoors and outdoors, but preferably in lots of light. 5/50 ZM (Kodak Portra 400, overexposed by 1 stop) More exposure, for example, doesn’t make your pictures look any brighter. Home / Gear / This Test Reveals the Exposure Limits of Kodak Portra 400 Film. This approach worked for most shots but not all as you will see. it handles overexposure, it retains highlights, it can compensate high contrast with increased exposure without pull-processing. At true ISO 400 speed, this film delivers spectacular skin tones plus exceptional color saturation over a wide range of lighting conditions. I shoot film mostly to document my life & family. You can see that as you overexpose more, red tones start to creep into your picture. The New Portra 400. Fuji 400H on the other hand is incredibly light-hungry. " But the grain size also gets bigger. I bought Portra 800 as a travel film because before I left the States, B&H didn't have Portra 400 in stock. It’s warm and smooth. It is very forgiving when it comes to over exposing and underexposing which makes it a great first film to photograph Kodak Portra comes in three ISOs: 160, 400 and 800. I liked the images that I saw in their advertisements, and still, given the history of the film, I was prepared to be disappointed. KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, 400UC, and 800 Films • E-190 5 Fluorescent and High-Intensity Discharge Lamps Use the color-compensating filters and exposure adjustments in the tables below as starting points to expose PORTRA Films under fluorescent or high-intensity discharge lamps. This one was probably the most overexposed – five stops over . I also didn’t like skin tones on velvia. KODAK PORTRA 800. Kodak Professional Portra 400VC Print Film I have also overexposed it 2 stops and pulled it 2 stops in the developing. S. , but due to its wide exposure latitude the film gives good results even when overexposed by 1 EV (exposure value) (as ISO 50/18deg. Portra films (especially Portra 400)  Aug 21, 2017 Continue reading below to find out more about Kodak Portra 400 vs. RAINY SEASON. 52 Rolls Project - W2+3, Warsaw with Kodak Portra 400 and Fuji Superia 1600 Part 2. A list of more than 500 carefully crafted presets in Exposure, divided into 25 categories. The shot of the ocean was around noon, f/4 at 1/4000 (guesstimate). Kodak Portra 160 and 400: Portra is all about the subtleties. Find helpful customer reviews and review ratings for Kodak Portra 400 Professional ISO 400, 35mm, 36 Exposures, Color Negative Film (5 Roll per Pack ) at Amazon. I like Portra 160 shot at 100 in dull/flat light and I like Portra 400 overexposed by 4-5 stops in bright sunlight when I’m shooting a scene with mild contrast and a great color palette. We rated Kodak Portra 400 at box speed. I decided to test this out as the fine folks from Kodak told me you could underexpose this film 2 stops. Portra has a wide exposure latitude meaning that it loves light and takes some serious mis-metering to overexpose this film. I thought it would be nice to make a direct comparison of the OK, so no need to imagine that 1600 ISO roll, just shoot the Kodak Portra 400 like it’s 1600 ISO and ask the lab to push that roll 2 stops. Both films utilise Kodak’s VISION3 motion picture emulsion technology and have a vastly different look if social media is to be believed. As noted here in earlier articles, I expressed have somewhat of a love/hate relationship with Kodak Portra 160. It has rich color, good exposure latitude, fine grain, scans easily, and doesn't break the bank. I rate Fuji Pro 400H at EI 100 (EI stand for exposure index), Kodak Portra 400 at EI 200 and Portra 160 at EI100. by Trevor Dayley. I once used a 100 speed film and when I was done with that roll, I switched to the Kodak Portra 400 for my next roll but have forgotten to change the ISO. I shoot primarily with Kodak Portra. At 800 If the Kodak Portra 800 is overexposed by one f-stop, the granularity is  Feb 9, 2018 I knew that I have to overexpose 1-2 stops to get those saturated colors. Try rating between 200 and 400 to avoid a muddy look. All film was either Portra 160 or Portra 400 overexposed . consistently too dense (overexposed), use a higher guide number; if they are  Color film likes to be overexposed. The old 400 NC, 400 VC, old iso 160 and current iso 160, 400 and 800 have always been classified as professional films and were special order items that were not available at local stores. Ive overexposed it by 5 to 6 stops with no problem. The new family of Kodak Professional Portra Color Negative Films is based on a breakthrough Unified Film Emulsion technology -- so you get remarkably harmonious results from film to film and shoot to shoot. Kodak Professional Portra 400. You'll find film emulations, creative looks, and utility presets here. Here are a few photos from the trip. 0 Minimum Density Midscale Neutral 400 500 600 700 and D-min. And continuing below, Kodak Ektar 100, rated at 100, overexposed by 1-2 stops, developed and scanned by Miller’s Lab. When shooting in the strong sun I find the the overexposed portra look to be superior to all generally available digital solutions. It makes your negatives more dense. consistently too dense (overexposed), use a higher guide number; if they are  Samples of unexposed KODAK PROFESSIONAL PORTRA 400VC Film (color- negative) that have been scanned are shown below and illustrate the appearance  way I shoot Fuji 400H, overexposing and metering for the shadows. – On a sunny day I would take the M7 and would shot Portra or Fuji Pro 400 H two stops overexposed. Late last year I picked up some Kodak Portra 160 35mm film and couldn’t wait to use it! Although I’d had a great experience with Portra 400, I found that some of my photos were overexposed and maybe I should step down to a less light sensitive film. Also rated at 640, so overexposed only by about 1/3 stop. Back when I was still very new to Lomography, I only had a Holga 120 CFN to shoot with; hence, I took mostly medium format photos. Amazingly, I have overexposed it quite a bit, despite working with accurate metering. Rebecca Lily Signature Color is a bespoke product creation service that offers a set of completely distinctive and personalized presets for Lightroom or Adobe Camera Raw, giving you a look that is uniquely yours. were looking for, but they are more than likely going to be overexposed. The results were great, and allows for lots of experimentation (this was, for example, my first time using hotshoe flash on the street). Dark tones are much darker and even if the highlights are bright, there is still detail and it doesn’t look as burn as T-MAX. While Portra 400 continues to amaze with its wide latitude and crisp images. (Slide film such as Ekatachrome 100 is the only exception to this rule. ) When overexposed, the reds and oranges are especially vibrant. So, it is really best to rate this film   Apr 19, 2019 I find that even when you overexpose this film, Portra 400 always has a natural warmness to it's images. KODAK ULTRA MAX 400 Film Film & Photofinishing Systems Group EASTMAN KODAK COMPANY • ROCHESTER, NY 14650 Revised 2-07 Printed in U. Fuji Superia 400 Xtra 35mm – Canon Rebel G – 50mm f1. For those wanting the technical details, for this editorial shoot I used a Contax 645 w/80mm f2 lens, and a Contax G2 with 45mm and 21mm lenses. So, it is really best to rate this film close to box speed. Kodak Portra 400 Professional ISO 400, 35mm, 36 Exposures, Color . admin February 5, KODAK PORTRA 800, 35mm and 120. All I was doing was experimenting all the time, (which is important), but it took me much longer to pick up which film I loved the most. Digital shooters who switch to film often love this one. 1600 is possible but it doesn't look good anymore. The result was a bit less overexposure than I have done in the other images which also allowed the warm colors in the bright sky to come through. Patreon: https://www It is not easy to underexpose Portra 400 in sunlight. It didn't take kodak long at all, due to the superiority of its new Portra 400 eating into the 160 market. AU1. Photos were taken either earlier in the morning or later in the evening, when light is shining at more of an angle and is softer. It is one of the most popular films on the market today and a favourite choice for a huge amount of film photographers. Kodak Portra 160 (in 35mm size) ought to be great for portraits, but I've never tried it. For color I’m using Portra 160 or 400, usually heavily overexposed. Colour negative films usually render much better results when over exposed by around a stop, so a film like Portra 400 shot at 200 will give spectacular results with unrelenting detail resolution. However it has much finer grain, and so images are smoother. If the Kodak Portra 800 is overexposed by one f-stop, the granularity is reduced visibly, colour saturation increases (with still natural skin tones) and contrast is reduced. Gives it a more film-ish look. Portraits look better with 160 than 400. As you note, f/16 and 1/500 should be about right, but f/22 and 1/1000 is only two stops less. Kodak Portra 400 120 roll film is the world's finest grain high-speed colour negative film. Old lenses sometimes keep the aperture open too far, but they can't normally go below f/22. And I would recommend a Frontier scanner With most film stocks, however, it is pretty hard to lose detail in the highlights, even when overexposed. On occasion, I did take some shots ⅓ to ⅔ overexposed (ISO 80-100), but overall, this film handled much the same way as Portra 400, with an even wider tonal range, and very soft, even skin tones. I'm trying to gain a better understanding of taking pictures in film. Can you tell the difference between film and digital? We are shooting Kodak Portra 400 and Tri-X 400 on the Hasselblad We overexposed by 5 stops and the As others have said, just set camera to ISO 200, but be aware 400 ISO film shot at 200 ISO is 1 stop overexposed, which means the development has to be pulled back accordingly, and you will lose contrast, I would just shoot at correct speed, unless the shots are crucial and outwith the range of the film lighting condition combo. Pentax 67 + Portra 400NC (rated at 50, metered for the shadows and overexposed half a stop). Kodak Portra400VC. Ektar 100 is an odd film. Probably not, but you'll get something usable out of it. E-7019 CAT 101 5387 Kodak, Kodak Professional, Edge, Ektacolor, En dura, Flexicolor, Gold, Max, Portra, Royal, Portra 160 has the same color saturation and contrast as 160NC and finer grain than NC or VC. Oh my…. I think the answer was yes, but of course the viewer can decide for themselves. This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head. I. I'll be using Ilford delta 400, Ilford HP5 plus, and Kodak Portra 160. Esp Portra 400, it has huge overexposure latitude. (there was a url link here which no longer exists) shows some Kodak Ultramax 400 underexposed and pushed 2 stops (shot under tungsten rather than daylight so the color balance is not the greatest), and a couple frames of Portra 400 shot at 3200 and pushed 3 stops. Unlike Portra 160 and very much like Ektar, Portra 400 offers the richest tonal palette when slightly underexposed. May 21, 2017 Pulling film means that you overexpose it, but also develop it for a speed ( which is ISO 400 for HP5), your shutter speed will be 1/15 seconds. two women sitting on top of vegetables on their way to wet market to sell their produce… they look weary, sleepy and bored… hope that they arrived safely You can buy new Kodak Portra films at macodirect. Kodak Portra 800 120 Film Single needs little introduction. Dec 2, 2017. Speaking about vignetting and blue color-cast, the Summilux on the M2 is not free of vignetting (it is a lens from about 1970, so no big surprise here), and Ektar also gets a more blue color in those underexposed areas. Portra 400 can look very earthy and neutral if exposed at box speed, but it can also look warm, bright and saturated when it’s overexposed. One of the things about film photography is that exposure on film, unlike in digital photography, is not equivalent at all to overall brightness of an image. A. Before I get into the reasons I switched I suppose I should say that I’m shooting Ilford HP5+ this time around. E-4040 KODAK ALARIS • ROCHESTER, NY 14615 Spectral-Dye-Density Curves Modulation Transfer Function Process: C-41 2. so the 2 remaining rolls got abandoned in the freezer for another year. But they look perfectly normal, although with often very bright highlights and an overall "too bright" air to them, and now I'm curious to see what I can do with them. Fujifilm Pro400H achieves a more pastel colour palette but the grain is more coarse than Portra 400. Most importantly, rain from the ground (it works best with rock-based streets) provides reflections. The Fujicolor PRO 400 H Professional is a color negative day light film. I will still use the different Portra's from time to time as conditions dictate, but Ektar is my go to film for the foreseeable future. 8 (can't remember my shutter speed, but I rated my Portra 800 at 640 ISO). I think your images are probably underexposed, for whatever reason. Overexposing Portra 400 2-3 stops looks the most pleasing in my view, no matter what light it’s shot in. 160 and 400 can be overexposed or push processed without drastically changing the overall “look” of the image. Fog from the full bag, high-dose scanners affects the whole negative, causing the entire image to appear overexposed and grainy. While it is rated at 400 ISO, T-Max can be pushed to speeds of 800 and 1600. Shooting mine, Overexposed it a bit and I am anxious to see the The Kodak Ultramax 400 is one of the stars at souvenir and retail stores, cheap, all-purpose daylight color negative film with ISO 400/27°. It performs well at 800 or even 1600, but Richard recommends that it actually looks best rated one stop overexposed at ISO 400. Its predeccesors were the ‘NC’ and ‘VC’ varieties and in 2010 Kodak consolidated these lines into 1, the Portra 400 as we know it now. Browse your favorite brands affordable prices free shipping on many items. Captured on Portra 160 with a Canon Elan 7 – 35mm f/2 This St. If you managed to read all of this, but still don’t know what I’m babbling on about, just Google ‘overexposed kodak portra’ and hit an image search… Portra 160 and 400 Reciprocity Failure Surprisingly, the reciprocity failure for 160 and 400 seem to follow the exact same curve. My initial scans of my 800 had some more grain than I expected. I shoot my Portra 400 at the nominal speed since if I'm using that film, I probably need the speed. So, we were driving back from Disneyland to UT and stopped outside of Vegas at the outlet stores. Think of it as a negative film with the latitude of slide film, and it's rewarding: depending on exposure, you can choose anything from soft, pastel colours (minimum exposure) to rich, saturated colours. Professional quality films such as Kodak Portra 160 and Portra 400 can be over and underexposed more dramatically and produce great results. Kodak Portra 400 in the top image and Kodak Ektar 100 in the bottom image. And my final word is: Kodak Portra 400 is a really great film. Sure, film such as Portra 400 shouldn't suffer from underexposure, but I came to like the film overexposed during exposure and pulled when scanning. Kodak Portra 400 (KP4) KP4 is a versatile, all-purpose Portra 400 goes really yellow if too overexposed. Fuji 400H has a cyan and green base color. The negatives were developed and scanned by The FIND Lab, and I made some contrast and tonal curve adjustments in Lightroom. If you have other rare film, or normal film or any other film that you developed in caffenol, feel free to send me your results so I can post them here on www. this is a very good thing if you Why, because with digital there is not a set ISO as with film. I shot five rolls of Kodak Portra 800 film rated at 800, 640, 400, 200; and Kodak Portra 160 rated at 160. The team that brought you Mastin Labs film emulation presets has made its way to mobile with an all new iOS app called Filmborn. Kodak Professional Portra 400 35mm film provides a classic soft look and is the world's finest grain ISO 400 color negative film. Darn it! I'm downloading my scans of the new Portra 400 right now from Richard Photo Labs, one of which had a quick -1 stop exposure test (I was shooting for a client, was already at f/16 and could only drop down to f/22…not much of a test but I didn't want to waste a roll of this precious stuff on testing). I'm fairly new to film photography, and I just discovered about 32 shots into a roll of Portra 400 that I forgot to change my ISO setting after Kodak Portra 160 (VC or NC) - Overexposure. With film, our ‘canvas’ doesn’t start with a true white. Ektar, when overexposed, makes fair skin turn VERY red and you have to be careful to shoot it at box speed. I’m guessing a lot of people have complained about that as well as the 28Ti which was released the year after has a new flash control switch which allows user to turn on/off flash a lot easier. You can click any of the photos to see more from Colonial Williamsburg and William and Mary, or buy prints if you like. Portra 160 is a little more forgiving, even with underexposure. The next shot (or two) would be of the same scene, but out of focus and overexposed. Needless to say you should mark that on the roll somehow so that it won’t get mixed up with all those Portra 400 you shot before the ceremony at their regular 400 ISO. Portra 160 has the same color saturation and contrast as 160NC and finer grain than NC or VC. At this time of the year I tend to use primarily 400 iso films, but rarely do I use colour. 70 Likes, 0 Comments - Katia (@pale_thin_girl) on Instagram: “Мой Лондон. The top photo of the couple was shot in open shade around 10am at f/2. P. KODAK ULTRA MAX 400 Film KODAK Publication No. It doesn’t take long to see that it’s much more contrast compared to T-MAX. The Summicron-R 90mm f/2 is considered favourite for the R system by many. This was a very simple scene to meter. With a handheld incident meter, point your meter away from the main light source and make a minimum exposure reading. I usually shoot in Portra 400 and I love how contrasty the pictures are, but iI can't help but notice that when I shoot with Portra 400 my photos are darker than when I shoot with Portra 160. Kodak Portra 400NC. It’s a Mandler design after all, known for extraordinary contrasty images, although quite soft and dreamy. 8. If it the film was “pulled” in development (developed as if it was a lower ISO of 200), the resulting frames would be technically properly exposed rather than overexposed. 8 lens and Kodak Portra 400 film overexposed by a stop. I think Portra actually looks its best overexposed by 0. I’ve adjusted some of them in Lightroom, but overall I’m really happy with how they look, even untouched. means a lot. But that’s personal taste. My EMULSIVE Secret Santa sent me two rolls of Portra 400, so sooner or later I’ll put the other one through a camera. Highlights can be overexposed by a dozen stops and still be scanned to retain detail. ) And finally. it has fine grain. Even though film does well with overexposure, try to expose it as correctly as possible. How do you handle the underexposure? Portra 400 This stock tends to be a bit sharper and more contrasty. ). Reflections in combination with one stop overexposed film shot make a beautiful color. However the benefit of Portra is that it can be pushed (shot at a higher ISO and developed longer in the lab) much more easily than Fuji, and with more consistent results. de the 160NC comes out beautiful in caffenol. Those who need more film speed may be relieved to know that Kodak still offers Portra 400 and 800, both of which are fine films in their own right. Interestingly enough, Portra 160 has slightly lower acutance than either its predecessors or Portra 400. The Portra 400 we know today has not been around for very long and yet I would argue it encapsulates the entire look and feel to film. The Portra I was using is ISO 160 speed film, but I always meter it at 100 which is already 2/3rds of a stop overexposed. KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, and 800 Films • E-190 Page 4 To determine the lens opening, divide the guide number by the flash-to-subject distance. it is pushable. This new film falls in line with the New Portra standards; even color renditioning, super fine resolution, and amazing flexibility! We have shot both the 400 and 160 in 35mm and med format, and are elated by the results. I haven’t pixel-peeped to be sure, but it might have the least obtrusive grain of all the fast color films I’ve shot. So if that is what you were shooting, you can consider it overexposed by only one stop. Accidentally overexposed three stops? No problem, you most likely got the shot. Kodak bills it as the world’s finest-grained ISO 400 film, and although I have no means of verifying this, it’s certainly very fine-grained After shooting both Portra 400 and Portra 800, I will say that it is much easier to shoot with Portra 400 during the day time if there is a lot of light. Agfa Ultra 100. Processed with Portra 400 preset even when overexposed by a E) Tri-X 400 (3200) Lots of contrast and grain here, and a noticeable loss of shadow detail as the film is pushed up to very high ISO levels. and I rated Portra 400 at EI 100 too. It all stared when I bought too many rolls of expired Portra 400 just to find out that this film is useless for my photos (YES - I THINK PORTRA IS NOT THAT GREAT, EVEN WHEN NEW, and I'm not Anti-Kodak: I dig Tri-X and HC-110) I shot 1-maybe-2 rolls of this film just to find that the NC version looks very dull. This is the film simulation recipe that you've been waiting for! Well, maybe that's an exaggeration, but if you like my Kodachrome II or Portra 400 recipes, which are both very popular, you'll likely also appreciate this one. 10 Reasons I Switched From Digital To Film Photography And Will Only Shoot Film Forever And Ever Until The Day I Die. change mid-roll then either half will be underexposed or overexposed. Provia100F is definitively my favorite over Velva and Portra160. 4 and Kodak Portra 400 for my film attempts. I'm not sure about Portra Lomography CN 400 Review Lomography is a company with which I have a love-hate relationship. This edition of Expired & Exposed I’m exploring a well-known stock than even the newest of users have possibly experimented with; Portra 400 by Kodak is still manufactured today, and a go-to for many professionals. An overexposed (I’m pretty sure I left the at ISO 90) photo shot on Kodak Portra 400. Mar 17, 2009 #1. I love Portra a lot and really happy it's still around. 5 DIFFUSE SPECTRAL DENSITY 1. Portra 400. Overexposed. Most images were a stop or two overexposed. That's why I wonder if I shoot it at 400 and process normal will remedy this. We are now going to look at KODAK TRI-X 400shot at 400. Read honest and unbiased product reviews from our users. 1 🕰M-1 🎞 Kodak Portra 400 #istillshootfilm #overexposed #contaxquartz139 #nofilter…” You can, obviously, set the ASA to 100 when using 200 ASA film (or 200 for 400 ASA film) to increase the exposure time. If you have plenty of light, then this is the perfect film. I overexposed 1 stop and used a polarizer, so that partly why the color is so bold. KODAK PROFESSIONAL PORTRA 400 is the world's finest grain high-speed . Leica MP, Summilux-M 1:1. Reserve these Ultra Color films for use in softer illumination or for subjects that benefit from the higher contrast for a more "punchy" effect. The idea was to do to some   Jun 8, 2017 The results of the new Portra 400 has generated quite a following, Overexposing this film stock by two stops looks amazing (bright and  Dec 21, 2017 It can be used to overexpose or underexpose your images. The term may be off-putting. Feb 24, 2016- Explore dianehuphoto's board "Photography :: Film Photography", followed by 158 people on Pinterest. Compare Kodak Portra 400 with Agfa Vista 400, Fujifilm Pro400H, Fujifilm X-tra 400 and Kodak Super Gold 400. If you pull a negative film you’ll get colour shifts, you only want to push/pull colour slide film not colour negative (you can push pull B&W negative although most labs wont do whats right for your film you have to do that yourself). This is Costa Rica during rainy season. Underexposed, the 400 gives off moody vibes and a beautiful contrast. Although AU1 and AU5 are similar in high contrast and bright color, AU1 is cooler and has a more balanced color palette, ideal for all skin tones. You can barely tell there has been any until at least 5 stops overexposed, and can recover detail well up into the 7+ stop range. When I shoot portra I shoot the 400 version which has an outstanding dynamic range and doesnt seem as washed out. caffenol. Portra 400 is a very good film. especially the 400 speed version overexposed a couple of How to Create a Cool and Flattering Overexposed Portrait Look with the Lightroom 4 Preset System Overexposed Portrait Look $400 or $500+ for a system like Kodak Professional Ektar 100 Color Negative Film (120 Roll Film) Kodak says that Ektar can be overexposed by up to 2 stops, and underexposed by 1 stop, but many In extremely harsh lighting, Kodak's Portra films (with lower contrast) produce more pleasing results than Ultra Color 100 or 400. In 6x7 you are reaching indeed a resolution with Portra 400 at E. Welcome back for Part 2 of my post on my trip to Warsaw with a Leica M6 TTL, a 35mm Summicron ASPH, some Kodak Portra 400 and a roll of expired Fuji Superia 1600. Well, if its a personal taste thing, I have been liking the -1 look of Portra 400, the posted grads here provided by Les also point to -1 as the choice in my view, and he even posted one using Portra 400 also months ago. As one underexposes film, in the example, they are rating a 400 speed film at a higher speed than the film is designed to handle thus underexposing by X f/stops. There is only one chance to make a good frame when shooting film. pushing color film. I rate 400 at 1600 all the time and it can also be overexposed to 100 if desired. I mean, who wants to go anywhere during rainy season? But, in Guanacaste Costa Rica, this meant dramatic mid-afternoon storms that provide the perfect time to relax and watch the storms move across the region. Every photographer has the Portra 400 on their repertoire due to how easy it is to use and alter. By combining the images, Orton was able to achieve a look that truly looked as if it were a painting, while also giving the photo the sense of a magical glow. If I correctly align the needle with the suggested shutter speed in the FE-2, will I also end up with overexposed photos? At true ISO 400 speed, this film delivers spectacular skin tones plus exceptional color saturation over a wide range of lighting conditions. Please don't shoot Portra 400 in a windowless room and then wonder why your images look like nasty, muddy soup . Film Exposure - A Primer to Over/Under Exposure and Push/Pull Development. interesting that you should post this as i’ve been experimenting with portra 800 the past couple months. Kodak Portra 800 Overview: Kodak Portra 800 gives nice, saturated colors and loves to be overexposed. Kodak Portra 400, rated at 200, overexposed by 1-2 stops, developed and scanned by Miller’s Lab. Portra 400 exposed at box speed Discussion in 'Color blown out in the overexposed regions and as dark blobs in underexposed areas. g. Effects of the CAT scan type scanner on 800 speed film as seen in a print: Effects of the Examiner 3DX 6000, full bag scanner, before and after one scan: Ilford's XP2 Super is a high-speed chromogenic black and white negative film that can be processed alongside conventional color negative films in C-41 chemistry. The best way to avoid inconsistencies is to meter correctly for your subject and the type of film you’re using; for Portra 400, this means shooting close to box speed. Portra 400 also has the best underexposure latitude of any colour negative film, but shadows will always look grainy if it is underexposed. It should have at least one stop latitude. One of my very first films was the very versatile Kodak Portra 400 NC! KODAK PROFESSIONAL PORTRA 400 Film KODAK PROFESSIONAL PORTRA 400 is the world's finest grain high-speed color negative film. I quite liked what I was seeing, although the results did seem a little contrasty to me, and VCSO's idea of what the ultimate hipster cliché 2-stop overexposed Portra 400 looks like doesn't correspond at all to what I see on film. I was recently asked for a advice on scanning overexposed Portra. I was truly surprised to see a pronounced difference in behavior between Portra 400 and Portra 160. The second thing to understand is the base color of each film stock. As a big fan of film photography like others I am always interested how certain film stocks compare against each other. what was actually going to be a two line intro and a link post, here is a Comparison of Kodak Portra 160, 400, 800 vs Fuji 400H shot overexposed and underexposed from the brilliant UKFilmLab. 5-1 stops. 2 Fuji Superia 400 Xtra 35mm – Canon Rebel G – 50mm f1. I shoot a ton of Portra VC 400 and As noted here in earlier articles, I expressed have somewhat of a love/hate relationship with Kodak Portra 160. 8 This is two over lapped silhouettes which were both metered for the highlights. Both are beautiful consumer grade 35mm films often passed over by working professionals for Kodak’s amazing Portra line, but I find Kodak Gold 200/Ultramax 400 even more to my liking. Get yourself some Ektar and start shooting it now. This is simply sample set of images shot on Portra 800 film, overexposed usually 1-2 stops above box speed, and scanned on both the Frontier and the Noritsu – particularly indoors. I hate the over-hyped cameras at exorbitant prices, making simple toy cameras and the “Don’t Think, Just Shoot” a luxury that only a few can attain. Therefore there are some significant differences between how the films handle. At 800, no increase in development time is required, but it still delivers excellent image quality. It gives me the warm fuzzies, and I love  For this new episode, I went for a hike and explored the Cinque Terre with a Rolleiflex and two rolls of Kodak Portra: 160 and 400. We recommend rating Portra 800 between 200 and 400 ISO, depending on how  Oct 15, 2015 Kodak Portra 400 - exposed at EI 100 scanned on Fuji Frontier During overexposure not all three color layers of the film built up  When I shoot portra (or any colour negative film really) I tend to meter a stop or two slower than box speed to retain shadow detail and get that KODAK PROFESSIONAL PORTRA 400 is the world's finest grain high-speed . Consequently, the 800 ISO label is slightly misleading, as it is arguable that Portra 400 does a better job at 800. I have been using Kodak Portra 400 for a few years, but I recently decided it was time for a change – I’m finding 400H a lot more pleasing. When I expose my 400 film as if it is 200, my lab develops it the box speed of 400. KODAK PROFESSIONAL T-MAX 400 Film has been the go to choice for black and white film photographers for decades. For the first time ever, motion picture cinema film is now available for standard still photography and processing! Knowing that slide film is far more sensible to light, I’ve asked around me what should I do with this roll that expired in the 90’s. Buy the film with the right speed and set your camera to that ISO, and off you go. Fortunately, that was a brilliant decision! As noted here in earlier articles, I expressed have somewhat of a love/hate relationship with Kodak Portra 160. I had tried out Exposure a while ago, but at that point felt it didn't offer me anything. OK, now I see – an expired Portra NC loves light a lot. A good way to think of this is like painting an image on a canvas. It’s no exaggeration to say that I have had useable photos shooting Portra 400 overexposed by what I’d guess was about 9 stops. Hope this helps! Portra 400 offers excellent colors; is fast enough for the vast majority of purposes; and is fine enough grained that the speed will rarely betray itself. After taking it out of the box, I was somewhat surprised. I’ve even seen modified 35Ti which has new flash switch from the 28Ti. Lightroom Film Preset Done Right. Oct 25, 2015 Recently I put a roll of Portra 160 through my Canon FTb, a camera which I hadn't used for a while, as I've been shooting mostly medium format  Jun 1, 2011 Slight overexposure is a common tactic among experience film shooters because it Kodak still offers Portra 400 and 800 for good reason. The first shot would be of the scene, in focus and overexposed. It works well shot at box speed or just a little overexposed (rated around 320). My Wedding Film Photography + Shared Link (Below): – Kodak Portra 160, 400, 800 vs Fuji 400H Compared Film Photography. It's not too punchy, it's not too muted, it's very accurate reproducing colors, and has GREAT latitude. As with color negative film, you will see an increase, in contrast, possible color shifts, and slightly more noticeable grain. , Fuji Superia, Fujicolor Pro 400H, Kodak Portra 160, Kodak Portra 800, Ilford FP4 Plus, Ilford HP5 Plus, Kodak T-Max 400, Fuji Velvia 100, Cinestill), I will return to share more thoughts and experiences with these films. com guys. Kodak Portra 400 is famously forgiving for overexposure, but much less so for underexposure — generally giving "muddy" low-contrast results in that case. Kodak UltraMax 400 vs Fuji Superia 400 September 30, 2014 July 22, 2016 I have been shooting and scanning film on a regular basis for about a year now, so I thought that I would weigh in on the two most widely available cheap films, koduak ultramax 400 and fuji superia 400. Luckily, it turns out Portra loves to be overexposed. So first up, we’ve selected what we would consider an optimum exposure for this type of light (+2) and shot the following film stocks: Fuji 400H, Portra 160, Portra 400 & Portra 800: This is a direct side by side comparison of Fuji 400H and Portra 400, the two colour films we most frequently handle at UK Film Lab: Great question, Dylan. The KODAK PROFESSIONAL PORTRA 400 Film KODAK PROFESSIONAL PORTRA 400 is the world's finest grain high-speed color negative film. Kodak bw400cn and Ilford XP2 are two other 400 speed films that I know have this characteristic and I'm sure that there are others. Portra, and color films in general, are almost immune to overexposure. I think this goes without saying, but the grain/lack there of at 160 is pretty awesome too! Some film photographers said box speed, some said 640, some swore by 400, and a few even said 200! Feeling a bit overwhelmed, I decided to do my own test. however, i am looking to VSCO Film X Information ⚫️ = black and white. Overexpose a 160 speed color film? Happens to this photographer a lot. Overexposed, the 400 can look bright and colourful, giving life to any picture taken. I strongly recommend starting off with 1 film stock at a time, and I recommend Portra 400. Portra 400 Medium Format Roll- shot through a Mamiya RB 67 with an 80mm lens. A forgiving film in overexposure but not for underexposure. Fuji Superia 400 Xtra actually does quite well with overexposure (I will get to metering and rating in a minute). They don't need to be overexposed, but if you intentionally overexpose by a stop it may get even better. especially when overexposed. Soft colors, tons of detail and a dynamic range even better than Ektar. With Portra 400, the 800 speed is marvelous. The only disadvantage is that your camera would get wet. PORTRA 400 Film is the ideal choice for KODAK PORTRA 400. professional color negative films usually don't look good if overexposed by . It has a nominal sensitivity of ISO 400/27°, however can be under- or overexposed in order to adjust contrast as well as the balance of grain and sharpness. Diego V I was looking to actually buy Portra 400, but I don't want 5 rolls of them and it seems that is the only way they sell them so I did my research and found out that this film is pretty much the same as Portra 400. With its particularly advantageous, high sensitivity of ISO 400 and its wide exposure latitude the PRO 400 H provides for a considerably increased color fidelity even when under- and overexposed. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. Analog and Hybrid Photography 2016 November 17, 2016. While I do not do a lot of landscape, I've been finding that a lot of mine seem to end up with green(er) land while the skies have too much magenta. We are   Oct 5, 2017 Compared to the Portra 400, colour saturation is slightly higher. See more ideas about Film photography, Portra 400 and Lab. 5 1. I really like the backgrounds produced by shooting at f1. Gives an authentic feel to low-light/night photos! F) Tri-X 400 (200) Overexposed by one stop to give the equivalent of an ISO200 film. How To Shoot Kodak Ektar 100 Film Tutorial. I shot all my images with the camera set to iso200 (using Portra 400) and expected slightly overexposed images. I overexposed Velvia once for a portrait session and oh my, all those shots were unsable like these ones here. When using Portra 400 its canvas has a yellow and slightly red base color. He rates his Portra 400 at 320. 2 Kodak Portra 400, rated at 200, overexposed by 1-2 stops, developed and scanned by Miller’s Lab. Minolta Riva Panorama with Portra 400 Minolta Riva Panorama with Portra 400. Portra is legendary for it’s ability to withstand over-exposure (and under-exposure, to a lesser degree). Now I have a new camera (a NIKON FE-2) and don't want the same thing to happen. I never liked it at 100 or 200 ISO. I have an issue with ‘saving’ film frames.   Mar 16, 2015 Kim rates Kodak Portra 800 film four different ways to determine how the film I shot five rolls of Kodak Portra 800 film rated at 800, 640, 400, 200; and . All photos were shot on color film, a mix of Kodak Portra 400 and Ektar, and developed and scanned by Photovision. This is the new Kodak Portra 400 underexposed 2 stops. I just like the snap, and color saturation with a -1 exposure. This 35mm film creates gorgeously accurate skin tones and can be used in a variety of lighting conditions. While Portra 800 is better suited to being overexposed, therefore shot at a lower ISO such as 400. I didn’t want to fiddle around with spot metering as I was using Kodak Portra, a film that can handle a ton of contrast so I knew everything would expose. Once the roll was done, wind it back up and send it off the lab and get some scans and negatives back. if you had to have only 1 colour In short. ‘Pulling’ is a less popular technique for Tri-X, but sometimes To that end, I returned myself the following evening, just about sunset, to shoot the ships at rest in harbor that night. 5-1. It was an overcast day so the test really shows the affects mainly of overexposure. Shoot Day and Night with Kodak Portra 400 NC (120)! 1 Share Tweet. Jun 12, 2015 Portra's a true ISO-400 film, meaning it can naturally shoot in bright blown out and even over-exposed shots retain good highlight detail. Ilford's XP2 Super is a high-speed chromogenic black and white negative film that can be processed alongside conventional color negative films in C-41 chemistry. Portra 400 at box speed has a very natural and neutral look, but it can also look warm, bright, and saturated when it’s overexposed. because I am using Portra 800 too fast, I am now considering buying new film. 0 WAVELENGTH (nm) 0. I shot Portra 400 from 100 iso - 1600 iso and developed normally. So these reading would likely be the same or possibly a one bump up in shutter speed or drop down in aperture. Kodak's Portra 400 film is praised for its versatility, but exactly how well does it handle underexposure and overexposure? How far can you push things +2, Overexposed +3, Overexposed +4 Koxak Portra certainly isn’t readily available in my country and it never was. I was wondering if you overexpose your shot (shooting Portra 400 at an ISO of 200) do you tell the lab that you shot it at 200 or 400? If you tell them that you overexposed at 200, will they correct it in development and render the overexposure irrelevant, or will you need to tell them that you shot it at 200? Thank you again for this article! It's fine to always err on the side of overexposure for C41 film. Perhaps in the near future, when I will have obtained more experience with other popular 35mm film stocks, (e. This portrait film yields great contrast and slamming colours, giving your shots a subtle x-pro look (without the x-pro)! See the whole range of colour negatives in our Shop. Learn what it means to get a proper exposure and avoid over or underexposing a  Kodak Portra 400 Professional ISO 400, 35mm, 36 Exposures, Color Negative Film (5 Roll per . FOMAPAN 100 Classic is a panchromatically sensitized, black-and-white negative film designed for taking photographs. I have shot about 20 rolls of this stuff, so this review has been long in the making. A: Always meter negative film in a way that you are sure the shadow point of your images preserve some detail. 4/35 FLE, Kodak Portra 400 film. it is high speed. 6×7 portrait made by Dmitry. The ISO speed determines how sensitive a camera's sensor is to incoming light. Set the ISO And the same applies to the likes of consumer films like Kodak Gold 200 and Kodak Ultramax 400. Each film has a set unchanging ISO such as Kodak Portra 400 is ISO 400, that ISO cannot be changed. I shot most of this roll at 100 iso, because rookie mistake. This Test Reveals the Exposure Limits of Kodak Portra 400 Film. 5 2. The colors are naturally mild, but rarely flat. KODAK PROFESSIONAL PORTRA 160NC, 160VC, 400NC, 400VC, and 800 Films • E-4040 4 Fluorescent and High-Intensity Discharge Lamps Use the color-compensating filters and exposure adjustments in the tables below as starting points to expose PORTRA Films If you have the choice, rate your color negative film for a slight overexposure. Nikon 35Ti | Kodak Portra 400. Just like Ektar’s, Portra 800’s “reality” exposure adjustment seems to be 2x metered time. org. At true ISO ISO Exposure is controlled by three elements: Aperture, Shutter Speed and ISO. Whenever possible and appropriate it's my first choice for film - beautiful skin tones, a pastel like subtlety in the right light that makes film look like film. If you shoot with Portra 800 and there is too much light, your photos may have the grain that you were looking for, but they are more than likely going to be overexposed. In the meantime, enjoy the shots! All photos were taken with my Leica M3 and Leica 50mm Summicron Rigid on Kodak Portra 400 shot at ISO 400 and overexposed a couple stops. I put the data into Excel and cleaned it up a bit (for example, 8 seconds metered exposure time certainly needs more correction than 4 seconds, contrary to the data I got from Peter) and found a best-fit curve. Apr 24, 2014 Here we have Fuji 400H shot at 2 stops under box speed, and 2 stops over box speed: UK Film Lab Fuji 400H under and over-exposed. Portra 400 Medium Format Roll May 6, 2017, Author: MeganCieloha. When I first started dealing with film, it was a fairly straight forward ordeal. left – Noritsu, right First Impressions - Lomography's New F2/400 film When the new F²/400 film from Lomography was announced back in February, I eagerly pounced and bought 10 rolls. 5 stops depending on the situation. The 160 I shoot at 100 since it's a nice round number. I am enjoying playing with different film types - Kodak Portra 400, Kodak Portra 160, Kodak Ekta, Fuji Pro 400H. The Canon AE-1 Program is one of the most popular camera models of all time. his Portra 400 is fickin' good. It doesn't matter how many different Portra Films you shoot -- Natural Color (NC) or Vivid Color (VC), 160 or 400 speed. Portra 800 has great exposure latitude, so this color film is ideal for low light situations. See the difference between THIS Portra 800 and the Portra 160 one above? Bridal portraits by Mike Arick Photography, edited with Mastin Presets Portra 400 film emulation presets. This is the jack of all trades in modern film. Nor should you interpret this as a review of labs. The panchromatic film can be printed on either black-and-white papers or color negative papers. Fuji 400H can better handle overexposure than it can underexposure. By rating the camera at 200 ISO, it forced the film to be overexposed with every shot and that was not counting my intentional overexposing when shooting. i’ve found it to be a versatile film, albeit in a different way than portra 160 and 400. ISO 160 film is slower, and best for outdoors or studio-lighting situations only. Posts about street photography written by Jakartans. portra 400 overexposed

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